If ever there was a natural harbour, the harbour at the Isle of Ancestors is it. This very old harbour nestles in a deep valley between austere, towering rocky headlands. Although it is generally known to be safe the idea of sailing into the foreboding, narrow harbour entrance on anything but a dead calm day is pretty scary.

As we moored at the harbour I paid the ferryman the compulsory silver coin. In mythology paying the Ferryman with a coin had a purpose: to allow the dead to pay for their passage to the Otherworld. In Ancient Greece, this was the realm of Hades, separated from the land of the living by five rivers. It was a perilous journey, and there was only one guide to take the recently departed to their final destination.
Happily, in this case, a silver coin is all that is needed to come to the Isle and contact the long dead, yet very much alive, ancestors.
As I disembarked I was greeted by non other than Himself, who bowed and explained that he would be my guide through the world of the Sidhe and on to my destination; the mound within which lay the Temple of the Ancestors.
Himself is the guardian of both the hunter and the hunted. He carries great energy and energises everything he touches – everything seems more alive, more vigorous and more awesome.
Himself has Shamanic power as well as the potential for powerful spiritual healing. Visits to the Isle of Ancestors can be both awesome and intimidating so I was grateful that he was to accompany me to the mound and guide me back to the harbour.
Carefully we followed the moonlight path. The terrain seemed unfamiliar tonight and I realised that the Ferryman had bought me to a part of the isle I have not traversed. It was a steep climb as we navigated our way through narrow passageways and found ourselves in the forest, known to be populated by the Sidhe. The Sidhe have good reason to be suspicious of humans and so I was very grateful to have Himself guiding me – assuring me of safe passage.
When we reached the mound Himself simply signalled that he would wait for me.
The entrance to the mound is inconspicuously located within the ancient mound. The doorway is made of two immense upright stones topped by a massive lintel. There are two torches burning at the door providing light for the entrance into a passageway and at the far end of the passage is a faint red glow. For centuries people lived in caves and tunnels in this region and hid in places like this at times of raids.
I proceeded carefully through a corridor which inclined downwards eventually emerging into a shadowy great hall. A fire burned brightly in a central hearth but tonight there was no one here to greet me. Instead I stood before a huge Wheel of Fortune worked by three Vampyre creatures.

To the right the half-panther Vampyre represents the positive force – this is the active and creative energy which initiates the fire of life. To the left we see a serpent Vampyre, who is a negative force of retrospection and dissipation or decay (winter). At the top we see we see a sphinx-like creature made up of the four elemental animals – its role is the preserver and connector of the other polarities, allowing their momentum to spin the wheel and churn out everything into existence. p 103 Phantasmagoria
I confess I was silenced. Rather than ask a question I sat before it, watching it spin like one of those spinning wheels they had in the ‘fun fair’ section of the annual show I loved to go to as a child. I sat silently, reflecting upon each spoke. As if by magic each spoke slowly filled with something like a silent movie, depicting the seasons of my life.
Then, without warning the half-panther Vampyre simply pointed to the centre indicating that this is where I must position myself. I knew that he was signalling that a defining, final burst of creative energy would help me write the final chapter of my story.
I bowed low! I quietly left the talisman, I had bought with me to gift to the Ancestor, on wooden bench near the great Wheel and slipped back out of the Great Hall.